WK綜合論壇, WK综合论坛

查看:2346 回復:2 發表於 2012-4-9 06:36:54
累計簽到:2 天
連續簽到:1 天
跳轉到指定樓層
楼主
發表於 2012-4-8 18:13:55 | 只看該作者 回帖獎勵 |倒序瀏覽 |閱讀模式
VIP精品區,資源無限好賺金任務區,輕松賺金幣
加入VIP,享受高級特權宣傳賺金又升級,超級棒

[欧美流行] 群星 - 爵士史上传奇经典OJC系列30张传世经典名 [複製鏈接]

* V  \- q5 S+ q1 ^( R+ H
+ |5 q" Y5 K) j& ?; |+ C

; T) m9 g5 D1 b+ A& n+ j
; ~6 z# e2 f3 ?歌手名称:群星1 t1 j% Z3 |* S% L3 x: y, J: l
专辑名称:爵士史上传奇经典OJC系列30张传世经典名盘
! g- |% R5 l5 X, p& r! o& a发行日期:N/A( O/ q0 H4 }$ M. a2 }
发行公司:N/A& W* b* H* C- n6 }; {& D: X% f
专辑风格:爵士
, ?& }- _4 j- Z) W4 P0 n专辑格式:WAV2 V9 v7 j6 \2 ]3 E# c
专辑大小:6GB
7 f# a  \5 @0 K( G
, i( i( s/ K) L) V专辑介绍:
" D" Y# Q* M0 D9 f( M, [% Z5 Y
- G) A4 U5 X) t3 }' [" J! s( p) N传奇经典OJC系列首次30张名盘集结限量面市,一次拥有爵士史上第一传奇OJC系列30张传世经典名盘!!9 a% P0 C* G2 n- ~' J$ S8 u
  
+ a) ?/ \0 U7 `8 N- Q+ g& m精质纸带小塑料袋包装盘片,超硬质外盒典藏设计,160页精装英文、日文、韩文说明鉴赏册内附!!7 U0 D! T( k* @: c5 G5 u3 P
  本典藏套装系列乃是全球音乐新钜子Concord音乐集团整合旗下诸多爵士厂牌的丰沛宝库资源,将其所拥有最多元且最完整的演奏实录或演唱精华以更有系统方式推荐予新生代乐迷朋友的专业性产品。
; d5 v  u# M+ M  本系列先委请爵士专家严选出各个时代、各家厂牌或各类乐风中最具指标性的乐手、歌手及其代表作品,并特邀知名乐评家执笔撰写兼具深度及广度的文字导聆评介,再采用当初原汁原味的封面设计及添加许多珍稀历史照片,透过完整概念性精致包装所推出的超值优选爵士铭品。
4 T% C. D8 T! b4 p8 i% _7 z7 o  首批Concord典藏家以最具历史纵深、勃兴轨迹及辉煌历程的经典爵士系列OJC为主轴,其为Concord音乐集团麾下最引领风潮的Fantasy厂牌自八零年代起将之前所陆续收购的Debut、Prestige、Riverside、Milestone、Contemporary及Pablo等爵士大厂所曾出版的作品以数位化方式发行,所含括乐风之广可谓当代爵士乐发展史缩影;
" W, D2 S* q5 A9 |/ a  而本批则聚焦在肩负爵士乐承先启后的关键时期、亦为最百家争鸣的五零年代为背景,采急促绵密的咆勃爵士、热力狂奔的精纯咆勃及恬适柔美的西岸爵士风情等多样乐风为蕴底;2 n8 I, @' U7 [1 \3 Q
  同时搜罗小号大师迈尔.戴维斯、一代巨匠约翰.柯川、萨克斯风巨人桑尼.罗林斯、钢琴怪杰泰隆尼斯.孟克、钢琴诗人比尔.艾文斯、吉他大师威斯.蒙哥马利、具反骨精神及不畏主流的低音提琴手查理.明格斯及火力高张鼓手亚特.布雷基……等各方执牛耳音乐巨匠,其于当年领衔乐界中流砥柱同台粹炼竞技、对峙飙技、细腻烘托或热情挥洒的秀逸名作,可一次尽享大师们于乐曲铺陈行进时所展现酣畅有劲的演奏技巧及所发挥如泉涌般的慧黠创意;
3 q) p1 x9 j) V" P: n; D  此外,本系列亦呈现出欧林.奇普纽斯、埃拉.吉特勒、唐.史克利腾及艾斯蒙.德华等王牌制作人纵横爵士乐坛多年的精准眼光、创新思维及超凡制作功力与经天王级录音师鲁迪.范.盖尔德(RVG)、若伊.杜南等悉心加持所打造出定位清晰的鲜明音场、层次感十足的丰富音色及灵跃活泼的节奏动态!$ i& |9 A/ E' G% T# s4 A
  拥有30张史上传奇OJC的旷世经典,就如同拥有爵士乐五零年代黄金时期的稀珍瑰宝,除了聆赏大师们活色生香的精湛诠释,更能从音乐走向、录音特色或封面设计等掘拾出不同厂牌间之特质,而您不仅如入实境地见证了爵士乐崛起及兴盛的璀璨进程,亦着实典藏了爵士巨擘们在舞台上睥睨群雄的不朽传奇风范!
2 r2 i6 T  o. S" @5 X
1 Z; k- _' a0 W7 z: {) U" L
! e1 s) M" S# H6 }6 s7 u% w" z7 f4 C, L. Q$ z  v
歌曲列表:
/ k# Y$ N* {1 H+ w  S1.Blakey Jazz Messengers / Caravan 亚特.布雷基/篷车队
9 q" o) m/ ^+ }  p; |5 v  2.Art Pepper / Meets The Rhythm Section 亚特.派伯/遇上节奏组; v4 G+ I2 k; ]1 `4 M' o2 U* W  x
  3.Abbey Lincoln / Abbey Is Blue 艾比.林肯 /忧郁艾比" J9 R$ ~) I$ x3 n1 Q4 c# ~
  4.Barney Kessel, Shelly Manne & Ray Brown / The Poll Winners 巴尼.基索/雪利.曼/雷.布朗/票选冠军
  `- j. s/ P5 `5 g! s( ~  5. 班尼.卡特/爵士巨人9 }% y* R$ A# s0 O2 \7 ^
  6.Bill Evans / Waltz For Debby 比尔.艾文斯 /黛比的华尔兹
% H! u7 b. k! g+ c2 n2 B6 o/ J: y  7.Bill Evans / Portrait In Jazz 比尔.艾文斯 /爵士肖像9 N" A+ z; v; I0 `6 o; t2 o
  8.Bobby Timmons / This Here Is Bobby Timmons 巴比.提蒙斯/就是要巴比.提蒙斯
' }, L# G( m8 o% j  9.Cannonball Adderley / In San Francisco 加农炮.艾德利/旧金山现场
; B8 ~1 L' M7 W" L' S0 D  10.Chet Baker / Chet 查特.贝克/查特6 ?5 Y7 @! y& S1 o) f
  11.Coleman Hawkins / The Hawk Flies High 柯曼.霍金斯/鹰扬天际$ ]% Y) L( E2 v( T) q) o/ r7 J
  12.Eric Dolphy / At The Five Spot Vol.1 艾瑞克.朵菲/五点俱乐部现场第一集
' k2 E1 [' D/ K4 |  13.John Coltrane / Soultrane 约翰.柯川/柯川之魂+ H7 C3 Z0 N( Y. G) s/ l/ F' A; J
  14.John Coltrane / Lush Life 约翰.柯川 /浮华人生% q9 n# V- Y) g! y( `4 S# B* v1 m
  15.Kenny Burrell & John Coltrane / Kenny Burrell & John Coltrane 肯尼.布瑞尔及约翰.柯川/布瑞尔与柯川
7 l+ S  N+ k8 Z: z  16.Kenny Dorham / Quite Kenny 肯尼.杜罕 /静如处子
( q$ r% K( D" D1 N* _; Z3 g  17.Kenny Drew / Pal Joey 肯尼.德鲁/花红酒绿: a2 z, t# L) l5 n- w* o! W+ B9 P
  18.King Pleasure, Annie Ross / King Pleasure Sings/Annie Ross Sings 金.布理瑟 & 安妮.萝丝/浪漫轮唱
, Y6 R  M% @  j) N( t/ s/ v  19.Miles Davis/ Cookin' 迈尔士.戴维斯 /快意即兴( u$ _4 _+ K& Y6 B
  20.Miles Davis / Steamin' 迈尔士.戴维斯 /热力沸腾
+ c7 _5 x4 V) B$ l3 ?( x$ N  21.Modern Jazz Quartet / Django 现代爵士四重奏/即兴之光; k6 Q+ L' a2 Q7 P
  22.Nat Adderley / Work Song 奈特.艾德利/工作之歌
0 f3 x3 B' J& [. y% X  23.Red Garland Trio / Groovy 雷得.嘉兰三重奏 /酣畅快意
7 Z# E. Y5 P$ D# \5 V  24.Ray Bryant / Ray Bryant Trio 雷.布莱恩特 /三人成行" D  e" O7 h  D* p9 B
  25.Shelly Manne / My Fair Lady 雪利.曼/窈窕淑女- v. C# y0 _3 q
  26.Sonny Rollins / Saxophone Colossus 桑尼.罗林斯/萨克斯风巨人
5 n1 Z$ ~& T/ l' Y  27.Sonny Stitt, Bud Powell, J.J. Johnson 桑尼史提特与巴德鲍威与杰杰强生) l$ ?( |; B' K( v( ^
  28.Thelonious Monk / Brilliant Corners 泰隆尼斯.孟克/明亮角落: U" R/ {+ M  o; a9 E
  29.Wes Montgomery / The Incredible Jazz Guitar 威斯.蒙哥马利 /超凡绝技% U; i' M5 p  t  E6 u
  30.Wynton Kelly / Kelly Blue 温顿.凯利/忧郁凯利
9 O$ B# }; _- z8 {6 o& t具体曲目:4 p8 ~* E5 j: n8 M
1. ABBEY LINCOLN - ABBEY IS BLUE7 B, F# l) d; u
1. Afro-blue
' p7 u* i% y7 o, D1 D2. Lonely House* T& M3 ?, A/ D* k3 I& @4 e
3. Let Up7 y/ ?$ W6 H3 }3 q& j% N
4. Thursday's Child
' I3 N) Y) [+ o5. Brother, Where Are You?
- p; x* V2 L' M- @# P( h6. Laugh, Clown, Laugh
6 d% P- ~; O& p, t5 `8 _7. Come Sunday
. u- U+ L2 ]" }; O( s8. Softly, As In A Morning Sunrise- _- m/ a" y* }& [* `* c
9. Lost In The Stars5 A. ]! L  ~9 S5 i0 G& E
10. Long As You're Living+ P5 I9 |* Q3 b) C: _% q3 d* u5 R
Abbey Lincoln (vocals); Les Spann (guitar, flute); Stanley Turrentine (tenor saxophone); Kenny Dorham, Tommy Turrentine (trumpet); Julian Priester (trombone); Phil Wright, Wynton Kelly, Cedar Walton (piano); Bobby Boswell (double bass); Max Roach, Philly Joe Jones (drums)1 [) a% T9 x$ U, T& K: ~
2. ART BLAKEY JAZZ MESSENGERS - CARAVAN+ }& H9 C4 f; l# c
1 CARAVAN 9:45; f$ F: k, R. ~$ n2 k
2.SWEET 'N' SOUR
0 p/ Z) M3 [9 l3 k3 IN THE WEE SMALL HOURS OF THE MORNING 4:03# G5 ]7 J: y  d4 M
4 THIS IS FOR ALBERT 8:18" Y7 k2 s, \5 Y
5 SKYLARK 4:48
9 f/ ~5 S1 y0 x2 K/ d8 A& s3 @6 THERMO 6:46
+ Q- J! u: \- g9 C; B1 F) uBONUS TRACKS
1 Z$ [2 p' ]- {# d; Q2 s1 ?* L0 M- Z7 THERMO (take 2) 7:268 i* q8 G+ |* m, h
8 SWEET 'N' SOUR (take4) 5:281 B3 e8 v3 P/ G; `' N" [
ART BLAKEY drums( n" u4 g* H  K" ^; K; U
CURTIS FULLER trombone0 _+ P+ a" p% i
FREDDIE HUBBARD trumpet4 V* l7 G2 W. @5 U) n  T
WAYNE SHORTER tenor saxophone/ B8 u, _7 v. W$ u$ r1 J+ t6 d
CEDAR WALTON piano7 f, v. z( Q% e# _
REGGIE WORKMAN bass
- u, @. `/ `; b$ P/ i& U% V& jOriginal album produced by ORRIN KEEPNEWS/ R* N, `7 n+ p) \4 p% E" q
Recorded by Ray Fowler at Plaza Sound Studios,* \) ~6 g& _  V  D
New York City; October 23 and 24, 1962.; A* \: H+ j7 p: f0 o* t$ z
Reissue produced and annotated by ORRIN KEEPNEWS
" \( n( ]" N' c, |" m( p24-bit remastering - JOE TARANTINO2 A7 p' E$ B% `& c
(Fantasy Studios, Berkeley)
3 J' O; C6 r" w3. ART PEPPER - MEETS THE RHYTHM SECTION5 J2 y% [' ?: J: U  U
1 YOU'D BE SO NICE TO COME HOME TO 5:25
% B, _1 ~$ C1 u# R) Y2 RED PEPPER BLUES 3:362 m5 A" J) M. ]* ]
3 IMAGINATION 5:51" O' K9 c4 P& k/ U/ t
4 WALTZ ME BLUES 2:55
/ l5 y, o" d. T  p8 ?! K5 STRAIGHT LIFE 3:58
/ \( a. l6 i* J' e2 E- S6 JAZZ ME BLUES 4:44
; P" X7 F0 U9 v7 TIN TIN DEO 7:42
  X1 s9 N/ Y  n( N8 STAR EYES 5:12
4 O9 n) d9 C$ t, x9 BIRKS WORKS 4:15; [/ g) Z- T* @0 R+ y
ART PEPPER-alto saxophone
: |- S8 ^; o6 f/ t4 E1 v" j: o0 L1 @& jRED GARLAND-piano3 U* b) j7 m, c
PAUL CHAMBER-bass0 k9 |/ {% W' Y9 P8 ^3 m* k
PHILLY JOE JONES-drums
4 c* ], J8 F2 H! K( s9 GProduced by LESTER KOENIG
3 P' ^7 P/ l, j4 A/ {Recorded at Contemporary's studio in Los Angeles;
! }/ {2 _0 {8 e, @/ PJanuary 19, 1957/ {/ |3 k, a8 X  G# k
Digital Remastering, 1988-Phil De Lancie) r6 T2 e/ w( E2 [/ |
(Fantasy Studios, Berkeley)
/ |! i! p, K/ G5 a5 _: B7 ~# s  hTOTAL TIME 44:000 H& v! B; a6 A3 ], l( V" _" z
Total time has been rounded off to the nearest minute.9 ~/ }3 k( ?6 @  T& {
4. BARNEY KESSEL, SHELLY MANNE & RAY BROWN - THE POLL WINNERS3 h- L4 n  K& u* l0 \
1 JORDU 3:26
8 }) [; [5 S! k6 h8 [2 SATIN DOLL 6:26
# n1 w, M, C6 Q' U3 IT COULD HAPPEN TO YOU 4:213 }. m& ?; C0 j! a5 B" j
4 MEAN TO ME 6:283 {' X6 u* H8 q3 q, b$ f/ g9 v
5 DON'T WORRY 'BOUT ME 4:33
; A1 l7 K2 r9 E- q% F9 C4 Z- o% s( {6 ON GREEN DOLPHIN STREET 4:003 n( i# m" e: d# t6 M
7 YOU GO TO MY HEAD 4:21
8 G2 r0 X6 W$ F% e8 MINOR MOOD 3:172 A; k$ f$ Z) \8 b7 X: d( [
9 NAGASAKI 3:04
4 x5 V2 D) f% `: p9 j) D$ C5 ^5 ^+ IBARNEY KESSEL- guitar) \% V: p* L3 u* I" W
RAY BROWN-bass) \( y9 O0 ~& P' `2 f
SHELLY MANNE-drums
1 Q1 J& r6 P) L8 A  N* N' K6 B( f8 dProduced by LESTER KOENIG2 i! n1 ~2 `( W
Recorded at Contemporary's studio in Los Angeles; March 18-19, 1957
6 L1 K: x8 O& S7 K, h% K  RDigital Remastering, 1988-Danny Kopelson; b) W4 h! p! q( k, C4 B: N# J
(Fantasy Studio, Berkeley)
3 c) T# Y  g- aTOTAL TIME 41:00
1 Z& ~9 H' C2 i5 gRounded off to the nearest minute
7 j8 Y3 D: R( a, A# I5. BILL EVANS TRIO - WALTZ FOR DEBBY
' u4 F: i* }/ v0 U  x7 m1. MY FOOLISH HEART 4:56
3 s$ @+ l0 E  t2 H9 D, S/ ]& r: S2. WALTZ FOR DEBBY (take 2) 7:00( O) t$ ~* Y  |
*3. WALTZ FOR DEBBY (take 1) 6:46
9 q4 R# l/ o+ r/ d$ P7 B7 y& b) ~4. DETOUR AHEAD (take 2) 7:35
6 _5 {6 \& J9 q; I*5. DETOUR AHEAD (take 1) 7:124 V8 l1 O! k) N! {
6. MY ROMANCE (take 1) 7:11* T+ g$ L3 i$ L2 ~6 m
*7. MY ROMANCE (take 2) 7:13
+ [; F9 W9 L, B3 @9 Z8. SOME OTHER TIME 5:02
3 j: f1 s- I' q3 B5 G6 n2 o9 m9. MILESTONES 6:37
5 j8 @" c+ Y/ o9 u  I*10. PORGY (I LOVE YOU, PORGY) 5:579 d. L/ e5 X- S, v
*BONUS TRACKS
4 K9 s! J$ x4 n  jBILL EVANS- piano6 p; i% M4 l0 m, `8 Y* I* r3 x% O
SCOTT LAFARO - bass6 i  s6 ]4 ~+ S5 e/ e
PAUL MOTIAN- drum3 n8 X/ E9 P; M" P
Produced by ORRIN KEEPNEWS
  b; U: C2 H' B; s- KRecorded in New York; June 25, 1961.; E! G( K, S1 b+ E% r! n9 ?
Digital remastering, 1987 - Joe Tarantino
% I* R! @7 D. R(Fantasy Studios, Berkeley)2 J% ^" t0 l. f1 Z% U/ j; c0 b5 K4 V
TOTAL TIME 66:00
  L+ y. y+ W1 @- M  HTotal time has been rounded off to the nearest minute.1 \2 l, @9 ]% T# C; \% C4 `( k
6. BILL EVANS TRIO - PORTRAIT IN JAZZ # J* b2 g% Z7 w2 ~$ `
1 COME RAIN OR COME SHINE (Take 5) 3:243 j  i4 w  |' r9 T  |
2 AUTUMN LEAVES 6:004 Q, P3 K6 l0 x& B' }
3 WITCHCRAFT 4:37$ [" F6 O% H! }: L& \
4 WHEN I FALL IN LOVE 4:57# t, `9 ]. C. h5 j. K+ h
5 PERI'S SCOPE 3:156 p' b. h; v6 ]
6 WHAT IS THIS THING CALLED LOVE? 4:36" W$ ?9 P$ z$ u- j: U( s
7 SPRING IS HERE 5:09; u! R. I7 d* `9 ]+ A
8 SOMEDAY MY PRINCE WILL COME 4:57
. ?4 n5 q! {. k9 K9 BLUE IN GREEN (Take 3) 5:25# V1 d" J& n0 P0 ^6 R# V
BONUS TRACKS
' I  f) X# Y/ r; T/ ?7 J8 G( L*10 COME RAIN OR COME SHINE (Take 4) 3:23+ }% S# W% N8 {& I8 N- v) m+ E
11 AUTUMN LEAVES (Take 9, monaural) 5:25, Y% p2 j& T) C7 N. ?
*12 BLUE IN GREEN (Take 1) 4:39! J2 ^* T& M/ V
13 BLUE IN GREEN (Take 2) 4:26
9 P4 b5 v  [! Y5 E& m0 n*PREVIOUSLY UNISSUED8 E, q6 f% W9 ?# o' v; B
BILL EVANS piano
) J- P. _5 Y& S0 Z9 j1 Q+ @SCOTT LAFARO bass
* D2 J& c6 q* L/ d- Z. C: kPAUL MOTIAN drums/ t2 o. j6 g3 r3 ?% f
Original album produced by ORRIN KEEPNEWS
  p$ k# R7 U8 h( e3 ~) y/ R, U9 G6 xRecorded by Jack Higgins at Reeves Sound Studios,7 A' l( ^3 ?" N9 J/ e
New York City; December 28 1959.  N+ L  I/ V' f" d9 M9 d2 J% c  `; S' b
Reissue produced and annotated by ORRIN KEEPNEWS* u8 n6 v# t4 u2 W0 _& I& ?$ D
24-bit remastering - JOE TARANTINO9 K# q1 H, |0 q" K) }
(Fantasy Studios, Berkeley)
; q1 ~# O& v  h7. BOBBY TIMMONS - THIS HERE IS BOBBY TIMMONS* P. x' V" F1 b% W, Q
1 THIS HERE 3:314 `2 E2 o2 l4 ]2 P; ]3 P# u
2 MOANIN' 5:06: l# ?6 Z# R( A/ v2 V3 G+ z' ?* ?2 U
3 LUSH LIFE 2:27
0 O: O# H& V* z/ n% X4 THE PARTY'S OVER 4:11
, W$ t! K% k+ {$ y5 PRELUDE TO A KISS 3:22
/ {6 X' x7 s+ J5 {) o9 ?4 h" k6 DAT DERE 5:22( Q3 |4 T/ V- S$ G3 F
7 MY FUNNY VALENTINE 5:06
0 b* T9 s1 B4 D; T/ T  W8 COME RAIN OR COME SHINE 4:30
1 ]* k3 n* E. s; v4 e- [8 c* w  W9 JOY RIDE 3:58
# L( e4 I% I2 q& C  uBOBBY TIMMONS - piano
  ~' u/ I1 F- {$ MSAM JONES - bass
. @& q0 _+ W9 v: V7 F5 _JIMMY COBB -drums
8 V* i% @% y# O/ d: s. |. m"Lush Life" is an unaccompanied piano solo.
$ H4 {4 L* x) m9 m9 C* N, P  z4 y+ pProduced by ORRIN KEEPNEWS
* n" ?, i; A& G3 H- l9 t& ~Recorded in New York; January 13 and 14, 1960.
; \1 U2 O3 B5 dDigital remastering, 1992 - Phil De Lancie* D5 z  S% U8 `+ u9 m7 |3 u
(Fantasy Studios, Berkeley)" \# T3 @  B$ C
TOTAL TIME 37:538 e3 Y) U7 L0 G5 F2 [+ a
8. THE CANNONBALL ADDERLEY QUINTET - IN SAN FRANCISCO
- Q9 B3 G0 G- c+ O6 p1 A FEW WORDS BY CANNONBALL… AND THIS HERE 12:28. Q+ q' _- t/ Z! g6 E
2 SPONTANEOUS COMBUSTION 11:53# z4 Q" p- M/ Z: m2 X
3 HI-FLY 11:08
/ ^3 `$ D# ^) F% e2 ?4 YOU GOT IT! 5:07+ u8 B/ T& E+ G  s$ Q
5 BOHEMIA AFTER DARK (aka Birdland After Dark) 8:03
# T4 Z) T* G5 C% Y3 M9 W4 ]& |* ZBONUS TRACKS$ o9 @1 l: n1 l# @
6 STRAIGHT, NO CHASER 11:447 M3 J- u5 W0 O
7 THIS HERE (alternate take)* 11:30: Y$ P# x2 z! I. Q4 ~
8 YOU GOT IT! (alternate take)* 6:11
% P3 a5 i$ y3 `% a. _1 e*PREVIOUSLY UNISSUED/ j/ j* g7 b) O
CANNONBALL ADDERLEY alto saxophone
7 w5 v9 S" {+ a8 ]5 Y9 P& Q: FNAT ADDERLEY cornet- d6 L" J3 H" u
BOBBY TIMMONS piano
8 Z( w+ [+ r/ M# O& VSAM JONES bass
4 l/ _# w; @6 FLOUIS HAYES drums  m) T6 U' |+ R0 Q
Original album produced by ORRIN KEEPNEWS
8 Y/ J) l$ z% `$ x; x! L, \Recorded live at the Jazz Workshop in ! `2 L) ]) L: u5 {0 R4 z; T; O6 v) p
San Francisco; October 18 and 20, 1959.
9 Z- ]3 z9 I, o7 \$ vReissue produced and annotated by ORRIN KEEPNEWS
, {3 K, N" b# a) ~+ q' Z( S7 B24-bit remastering - JOE TARANTINO5 Z( q0 j/ W- P; O& |. U
(Fantasy Studios, Berkeley)
- _0 \( R' I3 h2 o% {9. CHET BAKER - CHET5 h  y' T+ Q9 d3 _- ]
1 ALONE TOGETHER 6:53
! \3 b: n) B( o! _; a1 q2 HOW HIGH THE MOON 3:37  n7 D$ z9 e2 @2 L
3 IT NEVER ENTERED MY MIND 4:41/ M, B, s4 ^2 p" o6 L
4 'TIS AUTUMN 5:18/ Q  f( h( n/ l- L
5 IF YOU COULD SEE ME NOW 5:17& K! l6 ^5 [. r% t2 F$ x! y
6 SEPTEMBER SONG 3:05- }% J8 K1 f# W3 z
7 YOU'D BE SO NICE TO COME HOME TO 4:33* d3 ?) J4 E; Z/ d& C4 X
8 TIME ON MY HANDS (YOU IN MY ARMS) 4:33. M9 G5 S" Z1 q8 Y
9 YOU AND THE NIGHT AND THE MUSIC 4:07
4 D+ ^. Y) x# ~% HBONUS TRACK8 S- ^- j, [2 \: F3 z/ x6 C3 k7 D
10 EARLY MORNING MOOD 9:04
- K: Q( N2 |; g; `; |! NCHET BAKER trumpet
3 U9 i& I! X& Q- j3 r  f, ^# c+ ]PEPPER ADAMS baritone saxophone3 z  r, A3 G+ _6 c8 N( u
HERBIE MANN flute1 x& f+ v- Y) G, X, H, K
KENNY BURRELL guitar
1 F! Q  _# [" s2 v" W7 I) [- |: rBILL EVANS piano& m' w- [9 g/ r! O
PAUL CHAMBERS bass! [$ J5 o! T7 G- Y$ m
CONNIE KAY or PHILLY JOE JONES drums$ O* M% s% N+ {+ W( H/ N
Original album produced by ORRIN KEEPNEWS ; Q3 s  x' ]1 O  i
Recorded by Jack Higgins at Reeves Sound Studios,* ^" f& G4 r; f. D% w
New York City; December 30 1958. and January 19, 1059.
1 w0 k, e5 j4 CReissue produced and annotated by ORRIN KEEPNEWS
) c9 @0 Z  m$ D! ?# m24-bit remastering - JOE TARANTINO
' Z8 J0 ?, v. ~; U# J& ~0 o(Fantasy Studios, Berkeley)0 P; u4 V( t0 Y, u
10. COLEMAN HAWKINS - THE HAWK FLIES HIGH8 R" q6 s( D& B/ V& i% R
1 CHANT 5:08' `* j. w0 a% f) V% Y/ Q7 d
2 JUICY FRUIT 11:16
; L$ Z- b4 E3 @- [* x% u) p# s3 THINK DEEP 3:25# g7 Z3 }0 s1 ]5 S/ [, K& R
4 LAURA 4:43+ `8 ~. U% q4 r) H0 Z& I
5 BLUE LIGHTS 5:44- c: h# D; d" A
6 SANCTICITY 9:10+ P) s" l3 I* j
COLEMAN HAWKINS tenor saxophone
; c3 I% z0 ]2 Q/ P- lJ.J. JOHNSON trombone
. w; O$ Y' C8 {3 e8 @IDREES SULIEMAN trumpet* J$ \  v/ g3 H( O
HANK JONES piano
- S! u6 H6 P+ h6 yBARRY GALBRAITH guitar
& T; Z" O/ i3 y  O; [9 SOSCAR PETTIFORD bass
9 h  z+ C8 u0 {& s; pJO JONES drums8 ~9 I& D6 r8 f& G1 y
Original album produced by ORRIN KEEPNEWS and BILL GRAUER/ z3 Q# m) |, ]( y" r' [! ^
Recorded by Jack Higgins at Reeves Sound Studios,
; x" a8 c7 N" |; A1 |New York City; March 12 and 15, 1957.
- p4 O, r5 I) l' E) `9 _4 |$ mReissue produced and annotated by ORRIN KEEPNEWS/ `4 g+ I2 c# @/ F- y% y
24-bit remastering - JOE TARANTINO
1 u! P$ m% m/ c3 I$ B1 P7 Y(Fantasy Studios, Berkeley)5 C1 v% S; I9 c1 @1 t  L1 g- P0 i
11. BENNY CARTER - JAZZ GIANT% K4 q: ^! W+ |, }' E1 N
1 OLD FASHIONED LOVE 7:46
5 v- B! E1 k* X  g' s5 r2 I'M COMING VIRGINIA 5:457 W2 A7 q7 j# k) ~: ?2 c
3 A WALKIN' THING 5:55
/ f% }6 o" ]5 O. k" @8 _' o3 z; j4 BLUE LOU 5:02
! N, l! F1 b- f; Y7 v5 AIN'T SHE SWEET 3:32% b* K0 f5 O9 l0 T  z9 l1 ^3 l
6 HOW CAN YOU LOSE 6:12
# F; ^/ U+ T( r9 R* n$ U7 BLUES MY NAUGHTY SWEETIE GIVES TO ME 4:32' q7 c' Y! A) Z% g( T% k& E
BENNY CARTER -alto saxophone and trumpet" V: _) U1 |3 M1 Y
BEN WEBSTER - tenor saxophone
! M# n/ p1 F% {( J0 y# j. @FRANK ROSOLINO - trombone9 f' ~1 i! x4 @
ANDRE PREVIN, JIMMY ROWLES - piano. K2 `" P% [8 d+ t; L
BARNEY KESSEL -guitar
. a$ f) Z6 I2 F9 X2 I0 iLEROY VINNEGAR -bass! Y& c3 a6 Q4 S% O9 C' v! B$ Q
SHELLY MANNE - drums( G7 [& l( K9 z0 i5 w. B/ b' K. s
Recorded in Los Angeles; June 11, July 22, October 7, 1957 and April 21, 1958) @5 Y9 |- M% l' {
Sound by Roy Dunann- G: V8 _# k! W+ g
Digital remastering, 1987 -Joe Trantino$ Q1 [4 i* z9 T  e: Y* m* u
(Fantasy Studios,Berkeley)' r$ [6 c$ q0 Q; p
TOTAL TIME 42:00: a2 r8 U# t8 R
Rounded off to the nearest minute4 s; J& J  [+ ^/ _2 r
12. ERIC DOLPHY - AT THE FIVE SPOT, VOL 1
/ ^, p4 C* [1 }% N4 k1 FIRE WALTZ 13:40& B/ W7 O9 z3 T& S
2 BEE VAMP 12:20
6 A0 O( N+ H  _) K; m, G3 THE PROPHET 21:22
- J1 Q9 Y' K$ O. o*4 BEE VAMP(alternate take) 9:289 ]& |( g" h3 _
* bonus track3 ]- B, N, i  v; G# }
ERIC DOLPHY alto saxophone, bass clarinet$ }3 Z7 Z9 o  n
BOOKER LITTLE trumpet. {, E% r7 y9 D' S
MAL WALDRON piano/ O. B' Q$ W% @8 v! N, {
RICHARD DAVIS bass
7 ~& s, g6 G+ B4 o0 }! sED BLACKWELL drums
. b( U( P: ~* q3 v/ b1 N% e1 N" P6 uRecorded by RUDY VAN GELDER in performance at Five Spot, New York City; July 16, 1961. Supervision by ESMOND EDWARDS Remastering, 2008 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.7 X% a" x' n% M0 [
Notes by JOE GOLDBERG
1 y* Q6 C# }2 s, o. N13. JOHN COLTRANE - SOULTRANE3 G! z0 \6 f% Y
1 GOOD BAIT 12:07. S* ]! F1 |- l' v2 y7 v
2 I WANT TO TALK ABOUT CARE 6:16
. a. W: ~- w+ h" O! C3 YOU SAY YOU CARE 6:16
" R) r/ ]" G3 s4 I4 THEME FOR ERNIE 4:56
& p" _$ j4 `  s8 q5 RUSSIAN LULLABY 5:354 x% p, s3 [3 b+ k' ?7 {
JOHN COLTRANE tenor saxophone
2 f. ]4 Z' j" o& gRED GARLAND piano7 \! b1 q/ C8 ~* |
PAUL CHAMBERS bass
9 Q: b& m. \, I; R8 ?: R, K% H# y4 aARTHUR TAYLOR drums
( K1 `* x, L7 q" r3 I' d0 iRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; February 7 1958.
3 k2 y. l, R5 n  R$ _& j' D1 WSupervision by BOB WEINSTOCK. Remastering,2006-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER. Total Time 37:53! L3 F0 B' u9 D- C: _: N4 j
14. JOHN COLTRANE - LUSH LIFE1 s% Q$ }! q0 e& E
1 LIKE SOMEONE IN LOVE 4:57
  f$ @" c$ ~  C9 B; N4 G2 I LOVE YOU 5:29) H" d6 g- E) ~: W9 Y# X+ h- D
3 TRANE'S SLO BLUES 6:01
* n+ h& a6 u. ^1 x; a, k' t4 LUSH LIFE 13:53" n) S) G* ?! C  h. ?: T
5 I HEAR A RHAPSODY 5:58! n3 R# n# B3 [/ L
JOHN COLTRANE tenor saxophone1 S2 ^! |9 N- U2 ]
On#1-3: EARL MAY bass
: Z" Q4 l5 p  P# ?9 x" p- h( PARTHUR TAYLOR drums+ j. I+ d+ m3 T; }* ^- K* j6 W: B6 \
Other selections: DONALD BYRD trumpet (#4)0 K2 }- S) L& W6 `% [! G/ ?& U
RED GARLAND piano0 q$ ?! w8 U" C' Q, J; D, f
PAUL CHAMBERS bass7 n( y' ?/ }6 G6 _) W4 T% s% n& y7 A
LOUIS HAYES drums(#4)
( Y( k* |- H/ D7 E8 IALBERT "TOOTIE" HEATH drums (#5)! L$ H7 l" P. C  m. J+ V0 G0 E. `7 ]
Recorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ on May 31,(#5) and August 16(1-3) 1957; January 10, 1958(4).
1 {; X/ {4 p0 g5 u$ pSupervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by JOE GOLDBERG. Total Time 36:00
0 V7 Q* C7 m! O' }. P! ~4 A+ W15. KENNY BURRELL & JOHN COLTRANE - KENNY BURRELL & JOHN COLTRANE
$ f( W, F2 J8 u. E5 z& K, w1 FREUGHT TRANE 7:19
6 |- Y$ N7 E+ f9 z2 I NEVER KNEW 7:04
( h0 p0 ?3 s* s) d5 E" O3 LYRESTO 5:41
" C% M0 f: \' ?9 l4 WHY WAS I BORN? 3:12
$ r8 a* e$ I, U5 BIG PAUL 14:04; z: g, H; ]: e/ f8 b8 ~
KENNY BURRELL guitar
( L' w* E, r$ q# R" W# sJOHN COLTRANE tenor saxophone( j' a; L3 B( y7 l  V
TOMMY FLANAGAN piano
5 T: `8 A$ r6 l/ y" ]1 Y7 s0 C1 VPAUL CHAMBERS bass3 `3 L4 I% G+ n7 B
JIMMY COBB drums. f- [7 v. U) H( X
Recorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; March 7 1958. ! {4 `0 j* ^- U+ D
Supervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by DAN MORGENSTERN. Total Time 38:00! ]( Z& G6 E+ b6 @
16. KENNY DORHAM - QUIET KENNY. ?0 M1 B0 z" a
1 LOTUS BLOSSOM 4:36
! |& b- t9 [, j2 MY IDEAL 5:04
4 z7 Z: }) ?. \0 K+ N8 u. m3 BLUE FRIDAY 8:458 v) B( b- x: L) ?% a; V2 Z% t
4 ALONE TOGETHER 3:09( L. G0 J9 ~) C
5 BLUE SPRING SHUFFLE 7:34
: d) Y/ s3 o2 q( z6 I HAD THE CRAZIEST DREAM 4:38
4 F+ v4 C& K0 d7 OLD FOLKS 5:11
1 A1 s- {" @( C" r8 E6 {2 _' R8 MACK THE KNIFE 3:02; h& J! m0 p* S! [8 e) T8 R" k
KENNY DORHAM trumpet
; F% ^9 I* O' C4 KTOMMY FLANAGAN piano' Z2 x, ^+ E5 |
PAUL CHAMBERS bass0 V* g( K  S4 _. p
ARTHUR TAYLOR drums
! L8 u; j2 {  t% KRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; November 13, 1959." n8 x3 V  F  @2 r# S% G5 [" y
Supervision by ESMOND EDWARDS.. Remastering,2005-Ruby Van Gelder(Van Gelder Studio) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by DAN MORGENSTERN. Total Time 38:00
, T+ D! N0 I* f/ J17. KENNY DREW TRIO - PAL JOY
9 J/ ~9 U$ c! z0 n- x! H1 BEWITCHED, BOTHERED AND BEWILDERED 4:12
# l7 r/ w( r2 F2 DO IT THE HARD WAY 5:523 T9 o- |- ^/ i8 _, J
3 I DIDN'T KNOW WHAT TIME IT WAS 4:01
2 L! l* k2 b: _7 D3 c7 z+ _* J# t3 ?4 HAPPY HUNTING HORN 4:18$ g7 G! f3 A3 k4 v  C
5 I COULD WRITE A BOOK 4:43
% r& j* k' [$ ^1 F0 M6 WHAT IS A MAN? 5:08
! `* A. K2 h2 U& s- I7 MY FUNNY VALENTINE* 4:09- L. b/ J2 `* x! K
8 THE LADY IS A TRUMP* 5:41& d# I" Q: W3 C# g4 ]
*These selections from screen version only
/ _5 F& o. d' a# T2 _; PKENNY DREW - piano  b: w# ^: Q3 z& D# M: t6 X4 ~% A. x4 s
WILBUR WARE - bass
! y+ ~) x2 I+ [PHILLY JOE JONES - drums/ K8 ^# h) a4 ?& Y1 n2 X" [
Recorded in New York; October 15, 1957; r: y) T& m/ h
Produced by, ORRIN KEEPNEWS
1 g9 [& D5 m+ ?3 m1 k18 King Pleasure Sings- T* U. A% N. y
18. KING PLEASURE SINGS / ANNIE ROSS SINGS9 C7 S% G: q0 n& Z% p8 n6 D; x
1 RED TOP 3:12
4 |: Y+ W& _) K1 B9 @( D( `; g: l2 JUMPIN' WITH SYMPHONY SID 2:34
8 D( C, a- B1 @1 e4 m5 e( C, ~* U3 SOMETIMES I'M HAPPY 2:55
" e" H3 H) }1 O4 THIS IS ALWAYS 3:12
2 `, v* X- R- a3 `8 B0 K5 WHAT CAN I SAY(AFTER I SAY I'M SORRY) 3:09
: A2 l; _) ]8 a3 `3 K: q" t6 DON'T GET SCARED 3:18
# z9 O4 k# R* ]2 Z$ o' k1 e5 K7 PARKER'S MOOD 2:55
* W6 z5 w+ N) {) Z8 I'M GONE 3:27
5 s4 x5 D/ ]& o- H, K; \: O*9 I'M IN THE MOOD FOR LOVE 3:01" b, G/ o) O$ V) k% R2 R& F4 S0 K
*10 EXCLAMATION BLUES 2:37
' W( V; T+ G9 ~*11 YOU'RE CRYING 3:08, ^+ `5 q2 e& x) P
*12 FUNK JUNCTION 3:05
6 o+ c. r! a- e) z+ D1 m, M. O0 lANNIE ROSS SINGS
' ?% A. c" I2 u* Y* t$ g( C& ]13 TWISTED 2:37
/ a' \7 o  g" k" p* j14 FARMER'S MARKET 2:43
0 x3 t) N& f- a) j15 THE TIME WAS RIGHT 3:164 ^! t0 G7 {% R% l1 ~
16 ANNIE'S LAMENT 2:58
, G! d1 n( r- o, D& N% d*Bonus Tracks
+ N, f/ \1 M# d7 U: J) SKING PLEASURE and ANNIE ROSS
" M. k( o8 f) z1 a6 U! ^& l' V6 \" [With
4 D7 u- o# Q( ~/ f, N3 ]' _, pBetty Carter, John Lewis, Percy Heath, J.J. Johnson,
* [  R  w9 B+ x$ qPaul Chambers, Jon Hendricks Art Blakey, and others
  ?* M" |/ i; M9 @5 ?9 a6 k; Y3 _Recorded between December 1952 and December 1954
9 E3 q  q4 S* D* S- h#9-12 originally released on
) h4 u6 G% w# s) _; \Original Moody's Mood (Prestige 7586)) E5 s% g$ b/ a4 A5 }
Remastering, 1992 - Joe Tarantino (Fantasy Studios, Berkeley)2 O. m1 q9 f  X) N5 ^' f* j) h
TOTAL TIME: 49:13
2 O. _$ x0 m3 v19. MILES DAVIS QUINTET - COOKIN' WITH THE MILES DAVIS QUINTET  ^; L0 [6 D1 k- R. }0 I
1 MY FUNY VALENTINE 6:04
+ `- Q/ i; [, T- \# t6 R2 BLUES BY FIVE 10:23
4 ~' Y6 i7 T$ J, b, ^/ C3 k3 AIREGIN 4:26+ d& y6 |" y+ p0 x
4 TUNE-UP / WHEN LIGHTS ARE LOW 13:11
4 n# ~7 |' J1 a7 W! GMILES DAVIS trumpet
6 y& Q6 j0 ]+ t. W( ?. U1 B, xJOHN COLTRANE tenor saxophone
" I; L% X$ g* E* z- X; ]8 {8 i5 xRED GARLAND piano
+ Q* g& X* q5 W* Y* y5 zPAUL CHAMBER bass9 |) O8 [8 z1 @( b1 Z
PHILLY JOE JONES drums8 p0 _. A9 O7 X- H
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ; October 26, 1956. Supervision by BOB WEINSTOCK Remastering, 2006 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.
  b( t7 O0 |: ^3 I2 |- P( Z* u20. MILES DAVIS QUINTET - STEAMIN' WITH THE MILES DAVIS QUINTET
/ O5 O- O1 y, J/ i2 U' K1 SURREY WITH THE FRINGE ON TOP 9:05
0 f" A1 Y4 S. \; ]2 SALT PEANUTS 6:09
6 D* {" [9 ^& N! Q* h* C8 z/ {3 SOMETHING I DREAMED LAST NIGHT 6:150 m* f5 p+ t1 J0 F  V- X4 M: S5 u
4 DIANE 7:49
8 Y$ g4 P% r9 \: l. S. F5 WELL, YOU NEEDN'T 6:19' h; W4 J! G9 N3 O% ^' l( f- c3 ?
6 WHEN I FALL IN LOVE 4:23" R) {0 E1 h; ]6 T6 k1 O1 h
MILES DAVIS trumpet
. n( V* ~7 _4 |- k' K+ sJOHN COLTRANE tenor saxophone (except #3)( v9 [2 H* U3 A5 z
RED GARLAND piano+ B- Y% A, y" ]  i6 M
PAUL CHAMBER bass
- l( ~% A2 ?8 iPHILLY JOE JONES drums
' c( G7 J# p* E% @6 }$ L* v2 RRecorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ May 11, 1956(Well, You Needn't" recorded October 26, 1956). Supervision by BOB WEINSTOCK Remastering, 2007 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ)
9 H2 g: Y$ e% B/ x# I21. THE MODERN JAZZ QUARTET - DJANGO' w* E9 E: C# k. }. V( A
1 DJANGO 7:01: w( G9 N& ?0 b' U- t. I; q( s
2 ONE BASS HIT 2:58
- ^' |) y8 {  q# F7 p& b3 LA RONDE SUITE 9:35
$ b) G# c! N6 U4 A)PIANO B)BASS C)VIBE D)DRUMS
" y7 d+ J4 q7 D" y1 C5 THE QUEEN'S FANCY 3:12- z' K" H8 q; ?- p1 p
6 DELAUNAY'S DILEMMA 3:57
# \# W  K5 l, b# Y- @7 AUTUMN IN NEW YORK 3:38
( G8 q: q" @; D# y8 P8 BUT NOT FOR MW 3:42
. g+ X1 X3 h0 @6 w: b  q+ i# ?5 H8 H9 MILANO 4:210 Z3 }' K. y1 w8 F
MILT JACKSON vibes9 O/ _; Z6 }/ |. y  Q8 w
JOHN LEWIS piano3 t5 d1 J$ o2 }( @
PERCY HEATH bass1 H6 k' ]; s; \+ O/ u8 J
KENNY CLARKE drums
' S& v. j" T$ {8 J# p0 uRecording engineers - RUDY VAN GELDER(#1-3,8), DOUG HAWKINS(#4-7)
% i! Q7 T; H( a! Z! G' cRecorded at van WOR Studios, New York City ON June 25, 1953(#4-7); at Van Gelder studio, Hackensack, NJ; December 24, 1954 (#1,2,8) and January 9, 1955(#3).
2 O! e" p6 I% I" L9 DSupervision by BOB WEINSTOCK(#1-3,8) and IRA GITLER(#4-7). Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER.: j: {) l* C0 @! g6 T
Total Time 39:009 m/ q9 u9 E* T: K
22. NAT ADDERLEY- WORK SONG5 f0 x6 L% u* e8 x* T
1 WORK SONG 4:12; J2 L# T  t" X4 f: c7 n* S
2 PRETTY MEMORY 3:50$ j5 S. S8 ]9 p
3 I'VE GOT A CRUSH ON YOU 2:53- H( K+ M' [9 A& O! c# o. L
4 MEAN TO ME 4:59$ r% N6 w1 i+ K7 P$ Y, f
5 FALLOUT 4:51
2 K# N- C. p4 H+ `7 y# t" j6 SACK OF WOE 4:24) ?8 x0 `% ?$ P$ L
7 MY HEART STOOD STILL 6:24
9 ~' F2 @2 O/ ?8 VIOLETS FOR YOUR FURS 3:47
' I6 ~  x0 w$ F" o7 C9 SCRAMBLED EGGS 3:20: a7 V0 d0 M9 k& r
NAT ADDERLEY-cornet+ f( D" k8 V' a1 T$ b
WES MONTGOMERY - guitar* k/ Z  F5 F: O! F; ~! ]  h
BOBBY TIMMONS- piano
. a9 F& G3 ]! y( J, }8 g! PSAM JONES or KETER BETTS -cello or bass
6 K. P) c- i% d9 d5 k2 O% H' ZPERCY HEATH- bass
/ p+ C$ P' i' [4 u+ _" ?' S* Z1 LLOUIS HAYES -drums
4 \8 D2 x/ e9 t: M1 o* \Produced by ORRIN KEEPNEWS
. a) u. M' q* w6 }' GRecorded in New York; January 25 and 27, 1960.
1 ?' V7 ?6 N; ADigital remastering, 1989 - Phil De Lancie
- [3 ]4 X$ X7 f6 g, i(Fantasy Studios, Berkeley)5 O5 h2 P/ C6 P
TOTAL TIME 39:00, t$ a6 Q  c, i$ }
Rounded off to the nearest minute7 T% R/ g  S3 u9 {/ {) v# ~5 S
23. RED GARLAND TRIO - GROOVY
% {* V* X+ s8 p# b7 m6 M" S# A! h+ g1 C-JAM BLUES 8:21
# @; P) C. C4 b! r  z% s% ?' L2 GONE AGAIN 6:464 r( L4 U( h  e# [7 f
3 WILL YOU STILL BE MINE? 4:437 G3 [4 g- E3 y; p
4 WILLOW WEEP FOR ME 9:35
( j6 H4 G( Q) |$ @* }5 WHAT CAN I SAY (AFTER I SAY I'M SORRY?) 7:14
) P' F+ O' s: r, _" b7 w4 g6 HEY NOW 3:41
- n0 O- U, {: W1 G3 ERED GARLAND piano% \8 w2 G/ R; Q. \# x3 W1 N3 m
PAUL CHAMBER bass, [) l; I9 `8 w, g" Z8 |; P
ARTHUR TAYLOR drums9 [- b1 K* v3 V- d7 ?; v; \
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ May 24, and August 9, 1957. Supervision by BOB WEINSTOCK Remastering, 2008 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.
  I  y& u, e! ]1 d: o! C24. RAY BRYANT TRIO - RAY BRYANT TRIO+ H" N6 K% W, ~7 I8 H; x
1 GOLDEN EARRINGS 4:503 G1 a; j, h- E# U3 ^
2 ANGEL EYES 3:19
/ N% J( T( U: y- V3 }2 l3 j- r' |3 BLUES CHANGES 4:58
$ P; D- c3 }( H* R3 L5 i4 SPLITTIN' 4:37
3 V& U4 G% @& C$ d& X9 w5 DJANGO 5:00
& l- F9 B2 v6 u" Z6 THE THRILL IS GONE 4:51
1 k6 O! Z( v1 w" ^: e7 DAAHOUD 4:00
' }. X8 u" W  w* M  f& G! h8 SONAR 3:21
0 ^0 @+ I5 M* q: @; _- kRAY BRYANT - piano2 \; k7 q" P, S4 r. C* q: H
IKE ISAACS - bass
) I! J' b0 q- P0 @- dSPECS WRIGHT - drums
/ U! ]+ G2 h/ [" z% ~* J. T* kSupervision by BOB WEINSTOCK
' ?& C+ d- U# eRecorded in Hackensack, NJ; April 5, 1957.
" v6 C% Y* y+ B  F& t1 PRecording engineer - Rudy Van Gelder
1 R1 ^# }) k2 m7 LDigital remastering, 1993 - Phil De Lancie/ O( v! A5 ?+ ^" r
(Fantasy Studios, Berkeley)! d6 c6 B4 c1 t# Z; I  \. b4 [0 j% {9 I
TOTAL TIME 36:00! g' W7 W' ^- N
Total time has been rounded off to the nearest minute.0 {* `# E( ~  V0 g8 R2 a
25. SHELLY MANNE & HIS FRIENDS - MY FAIR LADY1 n/ s0 A9 ~: G# u) H
1 GET ME TO THE CHURCH ON TIME 4:11% h  g5 x6 }0 J
2 ON THE STREET WHERE YOU LIVE 5:37
. |  }0 C8 `8 K/ i. I  }' W3 I'VE GROWN ACCUSTOMED TO HER FACE 3:21
  v+ s* q9 j6 y3 T/ Q) G4 WOULDN'T T BE LOVELY 5:31
+ u2 p; H5 Z; @" j& s( _5 ASCOT GAVOTTE 4:17
" I( v( R: K; T2 L' W; v: T6 SHOW ME 3:40
# x5 g5 I8 Y3 S# X$ a7 WITH A LITTLE BIT OF LUCK 6:01
% g0 C1 X) \( `# y8 I COULD HAVE DANCED ALL NIGHT 3:00
2 E/ H, R' R6 p4 zSHELLY MANNE-drums; A6 b" n2 b  @2 `! G% }9 n
ANDRE PREVIN-piano
# t. q! |! Q! H9 lLEROY VINNEGAR-bass& i3 w  a2 Z" J' E6 U& F1 p0 O
Produced by LESTER KOENIG
  Z0 D) ^. y" ~" |( QRecorded at Contemporary's studio in Los Angeles;& x. _2 U' w2 d' j
August 17, 1956.
8 s+ W/ S) Y2 L1 ?( g9 V/ @From the musical My Fair Lady
8 t* K& p2 S3 L3 ]4 VDigial Remastering, 1988-Phil De Lancie' q3 I1 O5 ]& k+ H: Z
(Fantasy Studios, Berkeley)1 U1 p. ^  m# x- r2 U7 e* d
TOTAL TIME 36:00/ X2 S3 M2 n" ~9 @  a
Total time has been rounded off to the nearest minute.9 Z* d. Z4 h) d$ `. r
26. SONNY ROLLINS - SAXOPHONE COLOSSUS
. Q; z: S. A! n1 P1 ST. THOMAS 6:42
9 v+ ^9 S- I- z9 j$ l( T2 YOU DON'T KNOW WHAT LOVE IS 6:24. K, l0 J: A' M! Q0 ?' l: @
3 STRODE RODE 5:11
2 e+ G: g& N( u$ p1 Z8 Z4 MORITAT 9:57
+ F: Y3 [5 T" Q3 x5 BLUE 7 11:12
/ T4 u$ Y# T: \4 Y$ `' |- }+ [! `6 ZSAXOPHONE COLOSSUS1 Z/ Q% ]" B( B  q8 [8 V& `
SONY ROLLINS
1 J0 G6 T6 @; F- L% p0 i( }- I, JSONNY ROLLINS tenor saxophone/ P* }2 ^: X. b$ y+ J* t7 W
TOMMY FLANAGAN piano
- N. _6 w) |6 ^% rDOUG WATKINS bass
% L7 a, M4 |) ?/ j3 T: HMAX ROACH drums
. |8 g. X9 V8 r1 J% D& V; HRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; June 22, 1956; j5 C0 e" r6 n+ Y+ }/ C* q
Supervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER. Total Time 40:00! Q% C* L2 X$ s3 p% Q
27. SONNY STITT/BUD POWELL/J.J. JOHNSON - SONNY STITT/BUD POWELL/J.J. JOHNSON2 Y8 r% T4 I- u  q# ]
1. All God's Chillun Got Rhythm 2:57
- v+ y; W- f. p! F+ U" N. a2. Sonny Side 2:21
6 x5 L" q7 i' w* W! }  _2 g5 L3. Bud's Blues 2:32
$ \* h) v/ Y0 w2 S: Q# B, C4. Sunset 3:44
2 ]6 X4 {4 {1 l, Q+ I5 a1 I5. Fine and Dandy [Take 1] 2:39
, \, d" Y" G+ H6. Fine and Dandy [Take 2] 2:38
1 B3 W4 q& m2 T6 j9 r7. Strike Up the Band 3:26
: k) ~/ Q7 t7 i& j5 v' U8. I Want to Be Happy 3:098 C8 e& z* @) Z3 d4 \
9. Taking a Chance on Love 2:32# R1 ~+ i6 T' D- s* g
10. Afternoon in Paris [Take 1]
3 ?- b+ Y: X0 ]4 U3:03
0 S" y& W0 Z' @. |  B" w4 |11. Afternoon in Paris [Take 2] 2:59$ @( Y0 S! }4 ]4 z( A
12. Elora [Take 1]3:03+ S8 y7 g) T( K* I; e& @: h5 b
13. Elora [Take 2] 3:076 H9 T; d, V6 \
14. Teapot [Take 1]2:43" F+ k, Z& G/ N# A/ g3 @8 ]/ V
15. Teapot [Take 2] 3:01, p+ g. M, j1 P2 n4 B- L4 H, @
16. Blue Mode [Take 1] 3:457 z# P* t: X* g
17. Blue Mode [Take 2] 2:49
- J* b7 ]) g) q  ?+ _! v+ `28. THELONIOUS MONK - BRILLIANT CORNERS8 p. V) n" |! N) j; V& m
1 BRILLIANT CORNERS 7:42
3 Q# p7 X  G. \! W: @5 w; o0 Y2 BA-LUE BOLIVAR BA-LUES-ARE/ L% A! G2 q9 p3 _5 V* t2 O& e
3 PANNONICA 8:50
. K- X+ a9 g0 f' L; A, o; G4 I SURRENDER, DEAR 5:25
% ]) h9 K+ b: T- H5 BEMSHA SWING 7:42
" d# j" g8 c7 G$ T+ m* w/ KTHELONIOUS MONK - piano. }; S# ]0 U- {' T1 F
ERNIE HENRY - alto saxophone! r, g3 m$ R, J
SONY ROLLINS - tenor saxophone
. o- c8 i$ i6 kOSCAR PETTIFORD - bass
8 Q4 \3 G. L. eMAX ROACH - drums
% `; O3 N. s6 s- ^3 M(On "Bemsha Swing" : Clark Terry, trumpet; Paul Chambers, bass)+ B( \- ?1 O5 `" k2 h# G; `" i
Produced by ORRIN KEEPNEWS
- b1 w1 U* T$ B) A# MRecorded in New York; December 1956.
3 @* ~0 j# K. L7 N; y* j) GDigital remastering, 1987 -Kirk Felton8 b- C! G5 o' T* z
(Fantasy Studios, Berkeley)" X' D! ^/ M# M: F
TOTAL TIME 43:00
+ h. a% p5 v- F# P  p# y9 aTotal time has been rounded off to the nearest minute.
# Y. w$ A% L3 R6 e- T5 K: F! h29. WES MONTGOMERY - THE INCREDIBLE JAZZ GUITAR! h& s  X# d. ]* V
1. Airegin 4:28, q. U, A" J6 Z5 Y4 H* p7 U8 [
2. D-Natural Blues 5:22
2 Q; U  ~8 a; i" Z- t+ N3. Polka Dots And Moonbeams 4:42
6 d# H# ~/ W9 W) V( A6 j, h4. Four On Six 6:15) K. f$ }4 b9 z$ Y5 A9 @
5. West Coast Blues 7:23
) m4 ]; R4 R4 [  E6 ^% W6. In Your Own Sweet Way 4:53% u8 h5 w. L1 I& C2 h
7. Mr Walker 4:32
/ G6 n7 [7 d, u* L: A+ w( F+ y1 ?8. Gone With The Wind 6:20* R' ?- D  f6 D7 I' y# I* ]4 {
30. WYNTON KELLY TRIO & ***TET - KELLY BLUE
% K# a2 O8 R( Z1 KELLY BLUE 10:46
1 n* ^$ P- ~: a& {2 O7 Y2 SOFTLY, AS IN A MORNING SUNRISE 6:30; g3 }, ]# e8 y6 g# {( p
* 3. DO NOTHIN' TILL YOU HEAR FROM ME 4:22
, b/ E3 M0 S/ X) u* F4 ON GREEN DOLPHIN STREET 4:41
7 V0 E0 V  w, i+ Y* D5 WILLOW WEEP FOR ME 6:04# A/ C9 [: |) L/ f% B2 V
6 KEEP IT MOVING(Take 4) 7:29
( _8 y5 `0 V4 ]" D+ u$ L* 7. KEEP IT MOVING(Take 3) 8:47, o  K* q6 a9 i% b' K
8. OLD CLOTHES 7:40
# a, i9 ^9 W( O+ z2 |, S* BONUS TRACKS
  s0 R& j, t2 M  t7 z- v/ ^WYNTON KELLY-piano, @; v  |4 u. \( ^
NAT ADDERLEY-cornet" y1 P7 R0 D7 ^7 H; I
BENNY GOLSON-tenor saxophone
* n4 V# b) {9 C; X( p7 c1 UBOBBY JASPER - flute- q# X( t# e7 g  {! a2 f# I6 t4 l3 }9 P
PAUL CHAMBERS - bass( o: f( c! z2 j1 `9 F. J
JIMMY COBB - drums
7 m% o: V. q( WRecorded in New York; February 19, 1959.& D" z1 ?5 Y- {! p7 y  m9 Y6 e
Other Selections:" |* l$ F; j2 m1 W3 v7 m7 W
WYNTON KELLY -piano/ B' |2 y6 E6 |- N" L; f" y
PAUL CHAMBER - bass
$ R4 V" a6 z: `- x0 X) IJIMMY COBB - drums4 [+ f& X. P, l! H, q+ n* n
Recorded in New York; March 10, 1959.
1 W5 F5 B6 Z( ?% eProduced by ORRIN KEEPNEWS' c2 `3 A+ ?" b. J% |7 U
Digital remastering, 1989 -Joe Tarantino  H* c. M' T$ ]! k1 V
(Fantasy Studios, Berkeley), |% ~. x" D0 O* r. r) ]6 W
3 I8 Y, p7 K9 P6 L9 y4 `/ g: W7 M1 i
6 S# ~) \8 q1 k3 N, y: c4 v6 l

. ?6 L' g, u3 }$ A  f/ n$ U- d下载位置:
$ I7 ~' c7 L+ O3 s7 B
遊客,如果您要查看本帖隱藏內容請回復
免责声明:
# i/ c8 J5 B6 C$ q; f4 Z◎ 本站呼吁会员们不要将本站资源用于盈利和/或非法目的。
- L( Q. I/ _$ Q+ ^◎ 本站亦不承担会员将本站资源用于盈利和/或非法目的之任何后果和/或法律责任。
8 w6 `: Z! p: F$ p  J◎ 本版音乐皆从网上搜集转载,不承担任何技术及版权问题。
1 i) ^% }) G! ^* V) G& M, T/ `◎ 下载链接仅供宽带测试研究用途,请下载后在24小时内删除,请勿用于商业目的。

評分

參與人數 1威望 +4 收起 理由
cighst + 4 發帖辛苦,紅包送上!

查看全部評分

收藏收藏 贊贊(0)
把本文推薦給朋友或其他網站上,每次被點擊增加您在本站積分︰1宣傳
桃妖视频站,海量在线视频任你播

尚未簽到

沙发
發表於 2012-4-9 06:36:54 | 只看該作者
VIP精品區,資源無限好賺金任務區,輕松賺金幣
加入VIP,享受高級特權宣傳賺金又升級,超級棒
rarely see jazz being shared thank you very much for the classic

回復樓主 親!! 早上好! 心底有WK、心情就會飛翔,心中要個希望、笑容就會清爽!

 分享同時學會感恩,一句感謝的話語,就是最大的支持!  歡迎交流討論
您需要登錄後才可以回帖 登錄 | 立即注册

本版積分規則

c重要聲明:本論壇是以即時上載言論的方式運作,WK論壇對所有言論的真實性、立場及版權等,不負任何法律責任。而一切言論只代表發佈者個人意見,並非本網站之立場,讀者及用戶務必自行判斷內容之真實性。 由於本論壇受到「即時上載言論」運作方式所規限,故不能完全監察所有言論,若讀者及用戶發現有內容出現「真實性、立場及版權」等問題,請聯絡我們:[email protected]論壇有權刪除任何言論(刪除前或不會作事先警告及通知)| SiteMap[網站地圖]

發表新帖 返回頂部